Notice for Professional Photographers

I hope it is not against the rules to repost this. I know it is now expo related, but I know there are many professional photographers here who might not be ASMP members and get this notice. If you don't want to read it, just skip over it. Thanks.



The statement below has been released to the trade press and posted to various blogs and social networking sites in an effort to create the maximum awareness of this troubling change in practice. Please do what you can to share this information. Thank you for your support.

Omnicom Passes the Buck
It has been brought to the attention of the American Society of Media Photographers (ASMP) that the Omnicom Group, the world’s largest advertising agency holding company, has changed its terms and conditions in an effort to limit their agency liability and in so doing transfer that liability to independent photographers and producers. Basically, by disclosing their agency status and for whom they are acting, the advertising agency is only liable to the extent that their client has specifically paid them for any amounts payable to you. Additionally, ASMP has been informed that reps are being told that there will no longer be any advances on assignments.

These new policies are most probably the result of the market and governmental pressures experienced by major corporate clients such as GM who in their effort to avoid bankruptcy are now prioritizing their financial obligations and will make payment according to those priorities. In other words, some suppliers will be waiting significantly longer to be paid depending upon the client’s priorities. That being the case, agencies do not want to be left on the hook for reimbursement of monies expended on behalf of their clients, especially where the fear of bankruptcy exists.

These terms and conditions are simply not in the best interests of photographers, producers or clients. This action, clearly taken in anticipation of increasingly difficult financial conditions is a unilateral effort to shift the burden onto those who are least prepared to bear it. Should an independent photographer of moderate means be the banker for a Fortune 100 company? By eliminating their customary role as intermediate financier, agencies are removing value from the value-added chain, and that will ultimately lead to an overall dampening effect on commerce.

Meanwhile, there is no incentive for the agencies to make photographer friendly changes to their terms and conditions as long as photographers are willing to accept the current terms. Notice of these changes should be included in your blogs and discussed on related lists and social networking sites. The issue needs to become viral and requires significant support from key photographers in order to gain traction and effect change. If it is business as usual for the agencies, then nothing will be accomplished.

ASMP would recommend that photographers include in their paperwork a statement making it clear that there will be no grant of copyright license until all related assignment invoices are paid in full. Images should be registered with the Copyright Office immediately upon completion of the shoot and prior to first publication and/or possible infringement so that in the event that legal action - a last resort - is needed, recovery of statutory damages and court costs will be possible.

In addition, the Association of Independent Commercial Producers (AICP) recommends the following:

“If an agency’s internal policy insists upon these payment terms (sequential liability), the production company should:

a) Make sure the advertiser (“client”) also signs this agreement. If it is a rider, the terms of payment and the full contract price should be added to the rider.

b) Be provided with the advertiser billing and contact information.

c) Copy the advertiser on all invoices.

d) Notify the advertiser of payment due as soon as terms of the contract (payment dates) are not met by the agency.”

As a possible course of action, since the agencies are shifting liability to their corporate clients, perhaps photographers should consider approaching the clients directly for advances and or other payments prior to the beginning of the assignment.

Ultimately, this is a case of the supplier beware!

Eugene Mopsik
 

Michael Slade

Untitled
Thanks Eugene. It's a good head's-up.

Thankfully I don't shoot for Detroit anymore and I also don't do anymore agency work.

I do, however, work directly with the client and have managed to bypass any of the aforementioned unpleasantness. I know that many are not in a similar situation.

This economic situation reminds me of late 2001 early 2002 when I got out of the commercial business and focused (pun intended) my efforts elsewhere.
 
Michael, just for a heads up, I copied and pasted the message from my email. It had a big ASMP logo at the top that didn't copy. Eugene Mopsik is the president of ASMP. I should have noted that in the post. I'm stil Colorado David.:ylsmoke:
 

bigreen505

Expedition Leader
As disgusting as this is, I don't think it is anything new. A lot of the basis for the EP, ASMP and APA paperwork is to get around all this.

Thanks for bringing this up! It's been quite a while since I have been to an ASMP meeting.
 

Photog

Explorer
Yes, thanks David.

The last ASMP meeting I attended included a discussion about the declining pay from Stock agencies, and their low return on investment. Like the agency in your post, the Stock agencies are becoming a less valuable middle-man.
 

neliconcept

Spirit Overland
Yes, thanks David.

The last ASMP meeting I attended included a discussion about the declining pay from Stock agencies, and their low return on investment. Like the agency in your post, the Stock agencies are becoming a less valuable middle-man.

why a lot of stock photographers are skipping the agencies and selling to companies.

and they make bank for it too
 

sinuhexavier

Explorer
I think this really comes down to who you do business with and how important your/their relationship is. I have found recently that agencies and clients alike are using the financial downturn to bring prices down, even in longstanding rights usage contracts.

For long standing clients that have provided for me over the years I have been more forgiving, but the the clients that were in for a job 2 years ago and I never heard from again that want to renegotiate usage rights are not given much breathing room.

On the live action side it is brutal. Budgets are tiny, what once was a 2 - 3 day shoot is compressed into one long day. Agencies come to you with a spot and add 3 more on by the time the shoot day comes... Brutal...
 

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