Michael Slade
Untitled
What other lenses would you recommend for the artistic sense?
You have two built into your head. Start with those.
What other lenses would you recommend for the artistic sense?
You have two built into your head. Start with those.
I also note that Michael tacitly agrees with my lack of artistic ability
OH NOW WAIT JUST A MINUTE HERE WILL 'YA!!! hehe...
Just out of curiostiy, where did I *allegedly* agree with your lack of artistic ability? I want to know which thin ice I should be watching out for. :coffeedrink:
Couple of references within here to these lens. I'm interested in one to use with my Canon 30D. Any recommendations?
Want a good lens, but doesn't need to be a top of the line. Cost IS a factor. Willing to buy used as well.
Appreciate any pointers.
Thanks!
For a walk around lens, I've had my eyes set on the EF 24-70mm L f2.8. I'd be willing to spend the added money on the USM, the wide aperture, and the quality glass. Its something that would last a whole lifetime.
In fact, I've been having a hard time deciding if I wanted to get that lens or the 70-200mm L IS f2.8 first. I'm pretty set on both of those long term, but not too sure which would be the better first buy.
If you don't have a wide lens, I would encourage you to consider the 16-35mm F2.8 L mkII as a walkabout lens. Sharper than the 24-70 from what I can tell, and WIDE is fun. 90% or more of the images in my gallery are with the 16-35
For a walk around lens, I've had my eyes set on the EF 24-70mm L f2.8. I'd be willing to spend the added money on the USM, the wide aperture, and the quality glass. Its something that would last a whole lifetime.
In fact, I've been having a hard time deciding if I wanted to get that lens or the 70-200mm L IS f2.8 first. I'm pretty set on both of those long term, but not too sure which would be the better first buy.
i'd recommend this combo to anyone looking to have the almost perfect set-up.
I'd recommend this combo to anyone looking to have the almost perfect set-up. These two lenses are the only two that get any serious time on my bodies.
Ideally with two bodies and these two lenses, you almost never have to change a lens and you have everything from a semi-wide lens, at 24mm, all the way out to 200mm on the other end.
With the capability of the super fast glass because of the f/2.8, you can shoot in very low light and come away with stellar shots.
The fisheye is fun, but not a lens we use every day. If you're going to spend the money for one, save some coinage and go with the Sigma version. Just as good as the Canon and saves you a couple hundred dollars. I've shot them side by side, and my buddy who owns the Canon version was shuffling his feet wondering why he had spent the extra money even after I told him to go with the Sigma
Would you guys suggest buying new or used? .