12 x 20 camera

Michael Slade

Untitled
Spent the afternoon out on Great Salt Lake photographing for my project. Had some time to relax and just think. Also had some nice light.

I made a time-lapse film of my using the 12x20 camera. If you have never seen one before you might want to just check it out.
 

Lost Canadian

Expedition Leader
That is really cool. Have all your photo's from your Great Salt Lake project been shot using it? They are mesmerizing.
 

Michael Slade

Untitled
I wasn't familiar with that work. The 8x20 is a neat camera. If I was going to do it again I'd look for a 10x20.

Most of my shots for my project are shot with a D2x or a Hasselblad D3. A few are shot with the Mamiya 7II and the 12x20.

Thanks for the kind words. If you think the images are mesmerizing, you ought to come out with me for a few days. It's pretty special out there.

EDIT:

Just surfed through Corey's website. Neat guy, very neat images. Thank you for sharing. I'm going to share that site with my students.
 
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Lost Canadian

Expedition Leader
Funny, I just noticed a D2X on the ground in one of the hunters shots. Oh, and if I'm ever in the Utah area you better believe I'd take you up on that invite.:elkgrin:

Cheers
 

Skylinerider

Adventurer
Michael Slade said:
I wasn't familiar with that work. The 8x20 is a neat camera. If I was going to do it again I'd look for a 10x20.

Most of my shots for my project are shot with a D2x or a Hasselblad D3. A few are shot with the Mamiya 7II and the 12x20.

Thanks for the kind words. If you think the images are mesmerizing, you ought to come out with me for a few days. It's pretty special out there.

EDIT:

Just surfed through Corey's website. Neat guy, very neat images. Thank you for sharing. I'm going to share that site with my students.

Next time you go out for a day, I'd love to come out and join you. I live in Stansbury, I'm sure I could learn so much from you. Where do you teach by the way?
 

Michael Slade

Untitled
Skylinerider said:
Next time you go out for a day, I'd love to come out and join you. I live in Stansbury, I'm sure I could learn so much from you. Where do you teach by the way?

Sounds good. I need to get out to Lakeside sometime next week...possibly Monday or Wednesday.

I teach in Logan on T/Th, and during fall semester I teach at BYU. Currently looking for a full-time gig teaching in Utah...or anywhere else for that matter. I just don't want to move again.
 

bigreen505

Expedition Leader
Michael Slade said:
Just surfed through Corey's website. Neat guy, very neat images. Thank you for sharing. I'm going to share that site with my students.

He is a very interesting guy. You might ask him about doing a guest lecture for one of your classes. You will almost never find a published image from him. He sells limited edition books -- usually sold out BEFORE he takes a trip -- for several thousand dollars each, and each one is an extraordinary piece of art beyond the photography in it. He only shoots a scene -- usually a Japanese garden -- once. He will go to a garden for days at a time, explore every inch, every angle, sketch it out, and the when the time is right, expose one image. The exposure is several minutes (like 15-30) at f128 or so (if memory serves).

When I first met him I was shooting mostly ski racing, considered a Canon 1v barely fast enough (though none of my Nikons had a drive) and rarely shot above f4 or f5.6.

I remember being stunned that not a single one of his pictures had people in it. When I asked about it he said he simply closes the shutter, waits for them to leave, and opens the shutter again.
 
bigreen505 said:
He is a very interesting guy. You might ask him about doing a guest lecture for one of your classes. You will almost never find a published image from him. He sells limited edition books -- usually sold out BEFORE he takes a trip -- for several thousand dollars each, and each one is an extraordinary piece of art beyond the photography in it. He only shoots a scene -- usually a Japanese garden -- once. He will go to a garden for days at a time, explore every inch, every angle, sketch it out, and the when the time is right, expose one image. The exposure is several minutes (like 15-30) at f128 or so (if memory serves).

When I first met him I was shooting mostly ski racing, considered a Canon 1v barely fast enough (though none of my Nikons had a drive) and rarely shot above f4 or f5.6.

I remember being stunned that not a single one of his pictures had people in it. When I asked about it he said he simply closes the shutter, waits for them to leave, and opens the shutter again.

Thanks for the info about him. His method sounds fascinating.
 

Michael Slade

Untitled
I read every word on his site. Very unique process. I love the idea of his books being pre-sold.

Getting him to do a guest lecture might take some doing. I will have to make contact with him now to see if he would be willing to do a seminar at the college I eventually end up teaching at...(wherever that'll be).

Thanks again for the link. Very inspirational.

BTW, the 12x20 I'm using is made by the same company his 8x20 is. I thought it looked familiar. :)
 

nwoods

Expedition Leader
Michael, that short video was brillant. I really enjoyed it. However, I kept waiting for the big reveal, the final shot taken with the 12x20!
 

Michael Slade

Untitled
nwoods said:
Michael, that short video was brillant. I really enjoyed it. However, I kept waiting for the big reveal, the final shot taken with the 12x20!

The piece of film is still in the holder. I'll process it on Tuesday.

I am thinking of making another time-lapse of the processing of the film, and also of the making of the print...the whole process strung together.

Might take a while, but it might be worth it.
 

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