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Here's my example. With a single exposure and Lightroom I could get similar results but I had to use the graduated ND filter tool and some fill light to get anything out of the shadows. When I compare the two images I personally like the HDR version better.
One exposure processed with Lightroom to bring out the shadows:
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Same image with 3 exposures processed with Photomatix HDR.
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TJDIV said:perhaps you could process both shots in HDR and see what you think?
just because something is often "good enough" doesn't mean it can't become spectacular.... (my opinion)
I see basically 2 important and fairly clear aspects of HDR usage:
1. There is obviously a HDR 'look'- which is a completely legitimate reason to process thusly,for subscribers to that line of visual thought.
It is a purely aesthetic choice with lots of appreciation. All the HDR shots I posted here were in attempt to simulate that whole Trey Ratcliff vibe. Not something I'll be getting accustomed to anytime soon, but try to appreciate nonetheless.
2. As a tool to improve dynamic range: here is where I think we need new definitions, because HDR techniques, and exposure blends are often used- often completely un-noticed.
I compare it to using ND grads out in the field.
But as Trevor is indicating- these sensors are getting pretty damn good.
Although when you compare it to the stops the human eye can accomodate- nowhere near close enough.
Nice shot- I spy you in the fender.
I vote for HDR being a processing method.
Semantic gurus need to come up with a name for the style.
In the spirit of sharing, here is a 3 exposure HDR image from the spring. The range was -2/0/+2. Each image was processed and balanced in Lightroom first then all three were merged into Nik's HDR Efex Pro and then the final image was pushed back into Lightroom again for some final adjustments. It was a pain to get it looking natural but in the end I think I got pretty close.
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