A few of mine that I thought I'd share. I seem to be going through South American withdrawal this weekend, all my posted photos have been from my 2006 trip there (I've been four times and am planning trip five). I'll lay claim to these having had a tremendous amount of thought put into their framing, I'll leave the concept of whether they are artistic to others!
From the Uros Islands in Lake Titicaca:
400mm, f/6.3, 1/320th sec, 0 EV, ISO100, Circ. Polariser filter, Landscape mode, IS on
View attachment 87133
400mm, f/7.1, 1/400th sec, 0 EV, ISO100, 0.3ND filter, Landscape mode, IS on
View attachment 87134
160mm, f/5.6, 1/800th sec, 0 EV, ISO100, Circ. Polariser filter, Manual mode, IS off
View attachment 87135
360mm, f/5.6, 1/640th sec, 0 EV, ISO100, no filter, Manual mode, IS on
View attachment 87136
Not the Uros Islands, but from a solid island in Lake Titicaca:
100mm, f/8, 1/250th sec, 0 EV, ISO100, Circ. Polariser filter, Landscape mode, IS off
View attachment 87137
From Rio De Janeiro during Carivale a few years ago. I was focussing on trying to demonstrate movement through the use of very shallow depth of field-induced blurring and 'bokeh'.
<edit to add detail>
These were both shot after a rain storm passed through the sambadrome, hence the shine and high ambient light reflectivity. It helped for the same reason movie/TV scenes are often 'wet down' beforehand as it adds a significant amount of details and interest to an otherwise flat shot. In this case I really wanted to have the reflections pick up the crazy colours, shadows and activity going on around the performers. These performers were at the end of the sambadrome and were in the process of stripping off their costumes and going for the afterparty. They were shot on a Canon D20 with a Canon EF L 100-400mm (f/4.5-5.6) lens fully extended to 400mm. Autofocus settings were Pattern metering mode for the first photo because I wanted the surrounds only a little out of focus, but the ground completely out. The second shot was manually focussed to try and pinpoint the donkey's eye and rose hat (I missed slightly and got its horn, but pretty close!). The metadata says it was spot focussed, though??
400mm, f/5.6, 1/25th sec, 0 EV, ISO400, 0.3ND filter, manual mode, IS on
View attachment 87138
400mm, f/5.6, 1/15th sec, 0 EV, ISO400, no filter, manual mode, IS off
View attachment 87139
And finally from the train graveyard at Salar de Uyuni in Bolivia, where salt trains go to die (for some reason I thought I was in Chile when I labelled these Salar photos, I blame too much cerveca and MinuteMan pizza... :sombrero: ).
View attachment 87141
Cheers,
Humphrey